その他銘墨

極上油煙墨(紅入り)
菜種油を使った油煙に山形産の「べにばな」から抽出した本紅を入れたものです。墨は黒いものですが、その中に紅を入れることにより、黒さが非常に引き立ちます。

桐油煙墨
桐油を使用した最高の油煙墨で、色彩が美しく素晴らしい伸びを示します。濃墨で厚みのある上品な黒色、淡墨では赤紫系の黒です。濃淡共にバランスがとれています。

椿油煙墨
純椿油煙だけを使った墨で、非常に伸びが良く、濃墨では深みのある純黒、淡墨では紫系の黒です。
紙面にのせますとあまり艶がなく、仮名・漢字共に良いと思われます。

胡麻油煙墨
胡麻油を使った最も粒子の細かい最上級の油煙です。菜種油の煤よりも伸びがよくにじみが非常に綺麗です。
濃墨で純黒、淡墨ですと淡い紫色を含んだ黒です。漢字・仮名作品用に最適です。

Gokujyo Yuenboku (entering rouge)
I stocked this rouge which I extracted from "Benibana" from Yamagata to oil smoke using the rapeseed oil. A sumi is a black thing, but blackness becomes more attractive very much by putting rouge in that.

Kiri Yuenboku
In the best ink stick made from lamp soot using the wood oil, a color shows splendid growth beautifully. It is black of the purplish red system in the refined black, color of thinned Indian Ink with the thickness in dark Indian ink. I get balance in the light and shade.

Tsubaki Yuenboku
With a sumi only as for the pure camellia oil smoke, growth is very good and is purple pro-black in the rich net guilt, color of thinned Indian Ink in the dark Indian ink. It is too dull, and it is thought that kana, a kanji is good together when I put it on the space.

Goma Yuenboku
It is the first-class oil smoke that the particle is the smallest using the sesame oil. Growth is better than soot of the rapeseed oil, and a blur is very beautiful. It is black including the purple that is light when it is net guilt, a color of thinned Indian Ink in dark Indian ink. It is most suitable for a kanji, kana works.

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